![]() As a bonus, the show ran back-to-back with a merely lame Flintstones short, so its opening footage depicts the Thing dancing around with the Flintstones cast. So instead of battling super-villains, The Thing tends to end up punching sharks and destroying the motorcycles that belong to the mildly irritating recurring villains, the Yancy Street Gang. This cartoon basically took the Marvel Comics’ character, drew him exceedingly poorly, and then dumped him into a surreal mish-mash of Hanna-Barbera comedy stock tropes. Stuff like Hanna-Barbera’s The Thing cartoon is exactly why. There was a point in time when fans of superhero comics greeted the announcement of new cartoons, TV shows, and movies with little more than a resigned sigh. If you’ve grown up on modern cartoons, you’ve probably never seen anything even a fraction as bad as these shows. Regardless, the cartoons on this list exist as relics of the terrible period from the late ’60s to the late ’80s, when HB began to produce some of the worst cartoons ever to air on television. Maybe it was the inevitable excess brought by a solid decade of steady success or maybe the studio just took on too much work. Hanna-Barbera kept up this standard of quality, or at least a basic sense of watchability, right up until the end of the sixties.Īt that point, something went terribly wrong with Hanna-Barbera’s output. ![]() They’re pretty slow compared to more frenetically-paced modern comedy cartoons like Phineas and Ferb, but you can still enjoy a lot of strong cartooning and interesting background work. At one point in time, well over half the cartoons airing on TV on any given day were likely to be made by Hanna-Barbera.Įarly Hanna-Barbera cartoons like the original Yogi Bear and Huckleberry Hound shorts hold up surprisingly well today, too. Hanna-Barbera produced Saturday morning cartoons, weekday cartoons, prime-time cartoons, and plenty of one-shot TV movies and specials. While Jay Ward initially cracked the problem of how to create original animated programming on a TV budget with Crusader Rabbit, Hanna-Barbera figured out how to turn TV cartoons into a true mass-production industry. ?If you like watching cartoons on TV, then you owe a huge debt to William Hanna and Joseph Barbera.
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